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Much of our image of Dylan derives from his early protest music, but Robert Polito's book makes the argument that the most recent 30 years of Dylan's career have been just as creative as the first 30.
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If you think you know "Machinehead" and "Glycerine," prepare to be surprised by these Tiny Desk arrangements of beloved alt-rock hits.
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Led by Taylor Meier's soft, raspy voice, the folk band shares a range of material, including an old song that still rings true a decade later.
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Few artists can completely dismantle your heart, fill it with wonder and awe at the miracle of life, and put it back together quite like Madi Diaz.
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She may be indie rock's queen of precisely rendered emotion, but on Mitski's latest album, Nothing's About to Happen to Me, warped perspectives, questionable motives and possible hauntings abound.
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With a little help from his Sinners co-star Miles Caton, the near-nonagenarian legend gives the Tiny Desk a history lesson in the blues.
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The shortlist also includes a 1990s pop diva, heavy metal pioneers and a legendary R&B singer and producer.
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On his new album, the violinist completely rethinks The Lark Ascending by Ralph Vaughan Williams, and leans into old folk songs with the help of Sam Amidon.
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NPR's A Martínez speaks with Mumford & Sons lead singer, Marcus Mumford, about the band's new album, Prizefighter.
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One of the most expressive singer-songwriters of her generation, Sarah McLachlan's deeply felt and virtuosic performance is miraculous.
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These wildly different artists both reach the top of the pop charts this week.
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Protest requires people to take a stand and hold firm. Pop songs are designed to appeal across demographic lines. In music, as in the rest of the world, resistance takes place closer to the ground.
