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Lindsey Jordan, of Snail Mail, tackles mortality, religion and the afterlife on her third studio album.
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By finding joy and humor in life's chaos, The Paradox's brand of Black pop-punk feels both fresh and familiar.
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The Last Ship, the first musical to be staged at New York's Metropolitan Opera, inspired by Sting's childhood growing up in the shadow of a shipyard.
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Renée Fleming and Béla Fleck's joint project, which took more than 20 years to finalize, sees them collaborate with other folk musicians and singers.
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Annahstasia's voice is soothing and strong. Her music feels like taking a deep breath, exhaling and landing in a gentle place.
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Jack Antonoff explores marriage, grief and the current moment in Bleachers' latest album, everyone for ten minutes.
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Featuring new songs and beloved classics, the stadium-sized rock band shrinks down its outsized sound without losing any urgency or oomph.
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This week on the charts, Noah Kahan's coronation as an A-list superstar is complete, while another artist makes serious waves as well: the late Michael Jackson.
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The rising country star Ella Langley rules both the album and song charts this week, but Justin Bieber also sees a rise in popularity following his nostalgic performance at Coachella.
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The stadium-filling singer-songwriter's fourth album is full of finely detailed songs that expand his sound without sacrificing subtlety.
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Noah Kahan's songs radiate empathy for loved ones and places from his past. After a gradual rise, the Vermont singer-songwriter finally makes his Tiny Desk debut.
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The Welsh guitarist's fingerstyle playing drones with a haunted quality, but her flurry of bends, slides and chord clusters rip open the firmament.
