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Stapleton presents himself as a true Southern character, a family man who clings to his vices and a searcher whose dreams of home don't prevent him from wanting to roam.

The cellist and audio collagist unabashedly embraces and refines The Books' sound on his solo debut, which contains some of the most resonant and beautiful music of his career.

Ty Segall's power trio heaves forth a 14-song double album that's made for headbanging and the cultivation of bad vibes, as if all the warmth and goodwill of last year's Manipulator had turned to ash.

Sharon Van Etten, The Flaming Lips, Hamilton Leithauser and others reimagine and redefine songs from the highlight reel of the '60s.

The fast-rising country band brings first-rate craftsmanship to one of popular music's abiding themes: savoring fleeting pleasures.

Nicole Schneit's song plays out like a short vignette, recounting observations with evocative economy and below-the-surface harmonies from Lower Dens' Jana Hunter.

Watch the video in which the psychedelic soul multi-instrumentalist/singer-songwriter uses her body and music as mechanisms for contrast.

On the band's new album, old and new technologies come together in a sly but seemingly sincere way, with throwback results that keep the prospect of a party in mind.

Before James Mercer became famous in The Shins, he sang in a like-minded band called Flake Music. Its newly remixed, remastered and reissued 1997 debut contains many ideas he would later revisit.

This week's podcast remembers Sean Price, brings back a '90s revolution and lets Robin engage in his once-yearly purge of emotion.