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Superchunk's new album, Majesty Shredding, fits the textbook definition of indie-rock: the pomp and spectacle of marketplace rock 'n' roll turned inside out to show the seams, revealing the men and women behind the curtain who aren't much different from the rest of us.

The witty and unpredictable band from Brooklyn is an in-house favorite of the Tiny Desk Contest judges. We knew it was finally time to bring in FORAGER proper.

To immerse yourself in Diamond Mine is to be transported to the Scottish countryside. Standing in the NPR Music offices, the album's unassuming creators somehow lose little of their mystique.

The community that's formed around The Front Bottoms' songs — as total strangers purge deep emotions in a public space — is a beautiful phenomenon, as well as a testament to the passion and compassion the band radiates.

The Bonnaroo music festival in Tennessee announced today that it will require either proof of vaccination or a negative COVID-19 test to attend.

In his short but brilliant career, he pioneered a new standard of rapid-fire virtuosity on the electric bass and helped bridge the jazz and pop music of his day. Close collaborators offer a retrospective on Jaco Pastorius.

When The Mars Volta purchased a ouija board in a Jerusalem curio shop and began to use it, the band had no idea how much it would affect its recording. Listening to The Bedlam in Goliath, the paranormal talk might not seem like such a publicity stunt.

With uncommon delicacy and grace, the singer-songwriter spends her 10th album assessing her place in an increasingly unsteady world.

The Twin Cities band's roiling, hands-on electronic music hews between dance fare that could catalyze a club and slower new-wave sounds.

On her first studio album, Ripely Pine, singer-songwriter Aly Spaltro transforms a batch of solo recordings into full-band arrangements that explore the juxtaposition between lyrical content and musical tone.