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The policy announced Monday threatens a "hard quarantine" that is longer than the Games themselves for anyone who arrives unvaccinated.

After a rendition on American Idol, a tune by Jeff Buckley rocked the iTunes charts. Offering a tour of Buckley's career is David Browne, music journalist and author of Dream Brother, a dual biography of Jeff and his father Tim.

Shirley Bassey, famed singer of James Bond's "Goldfinger," releases a CD revamping some of her classic hits and introducing new songs, including a cover of Pink's "Get the Party Started."

In 1971, Motown founder Berry Gordy created MoWest, a California label that would last only two years before being dismantled. A new anthology documents this odd and little-known chapter in Motown's history.

Elvis Presley is constantly being discovered by new generations, and by older fans in new stages of life. Critic Milo Miles talks about the surprise rewards he found while listening to the new reissue Elvis Is Back! — and during his first visit to Graceland in Memphis.

The rock trio's first album since 2005 sounds as fresh and vital as a debut, but also as nuanced and skillful as the work of three players with a decade-long, inimitable rapport betwixt them.

Roy Orbison didn't really find his identity until he signed with a small Nashville label, Monument, in 1959. Ed Ward looks at the 17 singles that put him, and the Monument label, on the map.

The singer-songwriter behind the hit "Walking in Memphis" was only 11 years old in 1970, but music from that year left a significant impression on him. Cohn's latest album, Listening Booth: 1970, is devoted to covers of some of 1970's greatest songs -- including an eclectic range of classics by artists such as Paul McCartney, Simon & Garfunkel and Smokey Robinson.

Stores may have just begun to hang holly, but the orchestral group has been in a festive spirit all year long. They've recorded a new album that explores the holiday season within a global context.

The Stones' 1969 concert at the park drew 250,000 people and was tinged with sorrow, coming just two days after the death of founding member Brian Jones. Just before performing, Mick Jagger silenced the crowd for a remembrance of Jones.