Eric D. Johnson rarely lingers at one location too long. “There’s always been motion in my life between one place and another,” says the Fruit Bats songwriter.
As a kid growing up in the Midwest, Johnson’s family moved around a lot, but it wasn’t until he became a touring musician years later that motion became a central part of his identity. That transient lifestyle stoked an enduring reverence for the world he watched pass by through a van window.
“It weighs heavily on me—the notion of place,” Johnson says. “The places I’ve been and the places I want to go.”
A sense of place is a unifying theme he’s revisited with Fruit Bats throughout its many lives. From the project’s origins in the late ’90s as a vehicle for Johnson’s lo-fi tinkering to the more sonically ambitious work of recent years, Fruit Bats has often showcased love songs where people and locations meld into one. It’s a loose song structure that navigates what he calls “the geography of the heart.”
Johnson talks with Dave Michaels about Fruit Bats' new releases as well as Bonny Light Horseman, the folk trio with Anais Mitchell and Josh Kaufman. Catch Fruit Bats at Meadowlark Fest in Stone Ridge, New York this September.
