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The gospel-punk band's self-titled debut couches its invective in feedback, guitar noise, bruising drum machines and Franklin James Fisher's guttural howls.

Listen to Sam Beam cover a deep Seventies Neil Young cut on the latest volume of his Archive Series.

Those Darlins hooked up at the Southern Girls Rock 'n' Roll Camp, which bassist Kelley Darlin founded in 2003. Critic Robert Christgau is glad to see the band finally playing rock, as well.

Rooted in early-20th-century blues and jazz, "lipstickandchrome" is freshened up with modern sass.

On her latest album, the Nashville singer-songwriter tells compelling stories from the inside out.

A marvel of economy and concision, "Dead Oaks" sums up a relationship without wasting a breath.

"Any Other Day," from Woods' new Sun and Shade, is a brief but appealingly off-kilter two-minute concoction.

Title Fight hits the sweet spot between the heartfelt pop-punk and melodic post-hardcore, but keeps its ear open to unexpected pop sources like Sonic Youth.

The songwriter's music is often described as "swamp rock," an appropriate designation given that he writes most of his material in the backwoods outside Jacksonville, Fla. His latest album, Georgia Warhorse, unofficially pays tribute to his grandmother.

Vega is releasing an ambitious series of recordings in which she remakes her past work as voice-and-guitar folk music. With 1987's gentle, stripped-down ballad "Gypsy," that's not such a difficult task.