Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

On this week's All Songs Considered we premiere new music from Aldous Harding. The artist from New Zealand made my number two album from 2017 (Party) and her latest song, "The Barrel," indicates that she'll be another year-end favorite of mine in 2019.

Scott Mulvahill has been trying to win the Tiny Desk Contest for each of its four years. He's always been one of our favorites, though he's never been our winner. The double bassist entered his song, "Begin Againers" in 2016 and though it wasn't the winning entry, we all loved it so much, I invited him to my desk to perform his extraordinary song. He opened the Tiny Desk with it, only this time he was joined by bandmates Jesse Isley and Josh Shilling who shared vocal harmonies.

Mountain Man is the perfect band for a Tiny Desk concert. These three women make the most intimate music; and behind the desk, the voices of Amelia Meath, Molly Erin Sarlé and Alexandra Sauser-Monnig were the stars. Adorned by only light, rhythmic acoustic guitar, they sing songs that conjure a simpler life: dogs, friends, moonlight, sunlight, skinny dipping, beach towels and sand.

This week's show is made possible by a generous amount of existential anxiety. This includes the ego-destroying rock anthem "I Don't Matter At All," from the Toronto band Pkew Pkew Pkew, and an epic life manifesto from Amanda Palmer called "The Ride" – a ten-minute oration about the crippling effects of unbridled and rampant fear.

While accepting the Best Contemporary Blues Album Grammy for Please Don't Be Dead, Fantastic Negrito gave a shout-out to the Tiny Desk concerts series, which he said changed the course of his life and offered hope when he'd almost given up.

Kurt Vile exudes a casualness at the Tiny Desk in his style and body language that is so unlike most anxious artists who come to play behind my desk. Sure, he's done this Tiny Desk thing before, with Courtney Barnett.

On this week's show, artists battle their inner demons – the kind that come out a night when you're alone in bed, trying to find sleep – speak truth to power, celebrate love, dig into complicated characters with troubled pasts and much more.

This includes a kind of demented nursery rhyme from singer Billie Eilish; the London-based duo Tender and their deep reflection on ruinous self-indulgence; and producer T Bone Burnett's new album with a prayer to overcome fear.

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Today, the great young, American singer Lucy Dacus

Fifty years ago today, on Jan. 30, 1969, The Beatles gave what would be their final concert. And on this special episode of All Songs Considered, we talk with someone who was there: Ken Mansfield wrote and just released a new book on this life-changing event called The Roof: The Beatles' Final Concert. Mansfield was the U.S.

On this edition of All Songs Considered I'm joined by Marissa Lorusso, our Tiny Desk Contest leader and also a critical contributor to NPR Music's Turning the Tables project.

Editor's note: This page has been updated to include more of the conversation between Bob Boilen and Ezra Koenig.

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Andrew Hozier-Byrne has a new album coming in March. His second album, called Wasteland, Baby!, is his first full-length record in four-and-a-half years.

It's been a minute since we got together to share some all-new music – not since our Nov. 6 show of last year, in fact.

Aaron Lee Tasjan arrived at the Tiny Desk in his fashionable ascot and mustard-colored shirt, sporting reflective, red, rounded sunglasses and mutton chops. As he warmed up, the sound of the middle-and-late 1960s came through his seagreen, Gorsuch 12-string guitar while his voice felt both familiar and fresh. This buoyant, East Nashville-via-Ohio soul and his fabulous band have a knack for channeling Paul McCartney, Tom Petty and The Kinks.

Jen Cloher came to the Harbor Stage at Newport with a fervor matched only by her volume. Her band gets some of that credit, with Jen's wife, Courtney Barnett, on electric guitar and Bones Sloane from Courtney's band on bass.

Glen Hansard is passionate about connecting with a crowd. At the 2018 Newport Folk Festival, that crowd was hushed and he went deep. From the opening song, the Swell Season favorite "When Your Mind's Made Up," through more traditional Irish tunes with fiddler Rosie MacKenzie and Brendan Begley on accordion, Hansard's performance was enthralling.

Ever wonder what albums your fellow NPR fans listen to? We asked, you voted and below are the results our year-end listener poll for 2018. The list mirrors the NPR Music Top 50 Albums more than I've noticed in previous years. Like that list, listeners put Janelle Monáe, Kacey Musgraves, Mitski and Lucy Dacus all in the top positions.

Year-end lists are a way to uncover hidden gems, not simply to validate tastes. I'm sure many lists you've looked at didn't have that one favorite you hold near and dear. This episode of All Songs is about our hidden gems, the ones that, in the give-and-take of making a representative staff list, got left off.

Bill Baird's video for "Facial Disc" creates a world of patterns and scenes as abstract as the noise he makes on guitar and synthesizers. Baird describes the video as "me getting 'swallowed by the internet,' trapped inside a multi-dimensional cube, and transformed into an owl and then an 'owl priest.'"

Guest DJ: boygenius

Nov 19, 2018

Fifty years ago, just before the holidays in 1968, The Beatles put out not just a new album, but a double album, something relatively unheard of at the time.

A single voice can send a powerful message - and that's just what Jim James did at the Tiny Desk, with just his voice and an acoustic guitar. His lead-off song, "I'm Amazed," comes from My Morning Jacket's 2008 album Evil Urges. It's a prophetic song in many ways - it speaks not only of a divided nation and the need for justice but also to the beauty in the life and plight of others.

This week's essential mix includes songs of letting go, of healing, moving on and finding a deeper appreciation for the wonder of life. Tarriona "Tank" Ball (of the 2017 Tiny Desk Contest-winning band Tank And The Bangas) offers a surprising and beautiful take on the sentimental 1938 classic "I'll Be Seeing You." The psych-pop multi-instrumentalist (and former All Songs Considered intern) J.

I recently hosted a "pitch session" at the DIY Music Conference hosted by CD Baby in Nashville. It was an opportunity for independent artists to have their music heard and critiqued by a panel of music industry folks including a record producer, a music supervisor and music journalist.

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